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- Top 10 2006 -

Jacob Hall's Top 10 Films of 2006
 
1. The Fountain A+
2. United 93 A+
3. The Departed A
4. Casino Royale A
5. The Proposition A
6. Borat A
7. Little Miss Sunshine A
8. The Prestige A
9. Babel A-
10. The Last King of Scotland A-

Would Have Been in the Top 10, But Was Bumped to 2007

The Lives of Others

Honorable Mention

Clerks II
V for Vendetta
The Descent
Monster House
Superman Returns
An Inconvenient Truth
Before the Music Dies
Mission: Impossible III
Cars
Lucky Number Slevin

Lady in the Water
Pirates of the Caribbean: Dead Man's Chest
A Scanner Darkly

The Da Vinci Code
Running Scared

Ten Films I Still Need to See

The Good Shepherd - The Good German - Pan's Labyrinth
The Painted Veil - Factory Girl - Perfume - Apocalypto
Tsotsi - Marie Antoinette

The Worst Film of 2006

Crank

The Year in Review

2006 was a great year.

No, really.

The number of great films in 2006 was a little astounding, especially since so many have gone to great lengths to trash this year as being one of the worst in recent memory.

Sure, things started off slowly. For about six months, “United 93” was the only great film of the year. Then, suddenly, the great films came out of nowhere and started to pile up, so many that I haven’t even had a chance to see them all!

This list may change when I see more, but for the time being, here are the winners of the imaginary Jacob Hall awards.

BEST FILM: “The Fountain”

Astounding. Simply astounding. Not an easy film to watch, but quite possibly the most spiritually cleansing films I have seen in the past few years.

RUNNER-UP: “United 93”

This film reduced me to the weeping shell of a human being. It’s THAT powerful. I wish it could share the number one spot.

BEST ACTOR: Sacha Baron Cohen in “Borat”

Okay, so Forrest Whitaker’s performance in “The Last King of Scotland” is going to win the Oscar, and deservedly so, but Sacha Baron Cohen gave the best performance of the year, hands down. Here is a man who not only stays in character while he makes a mockery of everyone and everything around him, but also manages to make us laugh…loudly, and quite often.

RUNNER-UP: Hugh Jackman in “The Fountain”

Okay, so Forrest Whitaker’s performance in “The Last King of Scotland” is going to win the Oscar, and deservedly so, but Hugh Jackman’s brave and intense work in “The Fountain” is a gem of acting.

BEST ACTRESS: Kate Winslet in “Little Children”

So I didn’t care for the film…so what? Winslet gave an astounding performance in a flawed film. She is the film’s life raft. She keeps it above water.

RUNNER-UP: Eva Green in “Casino Royale”

Just as Daniel Craig proved that James Bond could be an intense and challenging character, Green proves that the role of the Bond girl can be heartbreaking, romantic and tragic.

BEST SUPP ACTOR: Ray Winstone in “The Proposition”

In quite possibly the darkest and bleakest film of the year, Winstone creates a character who tries to overcome the evil around him and in the process crafts a subtle and painful portrait of a man in a world of evil who only wants to do good.

RUNNER-UP: Steve Carell in “Little Miss Sunshine”

I’ve loved Carell since “The Daily Show,” but who knew he had this kind of work in him?

BEST SUPPORTING ACTRESS: Rinko Kikuchi in “Babel”

Look at the facts. She has no spoken dialogue, yet she creates an extreme emotional connection. She learned sign language for the part. She has a brave scene in which she is completely nude. Great acting by an actress I look forward to seeing again.

RUNNER-UP: Rachel Weisz in “The Fountain”

Okay, so she didn’t deserve the Oscar for “The Constant Gardener.” But she deserves it here.

BEST SCREENPLAY: “Little Miss Sunshine”

Hilarious, heartwarming and somehow, almost completely original.

RUNNER-UP: “The Departed”

In addition to a clever plot filled with twists and turns, the script to “The Departed” boasts some of the wittiest dialogue since “Pulp Fiction.”

BEST DIRECTOR: Martin Scorsese for “The Departed”

Why? Because he’s earned it. Why not Darren Aronofsky, the director of my favorite film of the year? Because Scorsese has proven that time is nothing and after decades of work, he still churns out masterpieces.

RUNNER-UP: Darren Aronofsky for “The Fountain”

Because he directed the best film of the year.

 


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