| Rarely have I ever
seen a film crash and burn, literally and figuratively, quite like
this remake of the 1973 cult classic, "The Wicker Man". Neil
LaBute, director of many fabulous films such as "In the Company of
Men", "Your Friends & Neighbors" & "The Shape of Things", and one of
the premium screenwriters and dialogue producers of this generation,
has laid his first big egg. This film starts off promisingly,
keeping the mystery and tension coursing along nicely, until the final
third of the film careens into some of the most excruciatingly
embarrassing cinematic moments of 2006. Now... I am going to fess
up. I have not seen the original despite having heard mostly
good things over the years. It has just always been one that
I've passed over for what ever reasons. But I'll tell you
something... If it is anything like this remake, I am glad I passed.
I get the distinct impression, however, that the original is far more
effective.
Nicolas Cage stars as Edward, a California police officer who,
after having made a routine traffic stop which resulted in a
fatal collision, is contacted by his one time fiancé. Still
recovering from the psychological trauma of the auto-accident, she
begs him to come to a remote island off the coast of Washington to
help look for her missing daughter.
Upon his arrival, he is coldly greeted by the strange Amish-like
community, primarily female, who populate the island. There is
something very strange about the inhabitants. They are
suspiciously secretive about their traditions and customs.
He meets up with his ex-fiancé, Willow, who is now known as Sister
Willow, a matriarchal island custom. She is frantic about her
missing child, Rowan, and she is absolutely sure that something bad is
about to happen to her.
"The Wicker Man" manages to set up this premise and setting
rather well. It feels very much like a unique and original
whodunit. However, slowly but surely, the plot reveals more and
more secrets. The characters twist and turn themselves in
pointless and chaotic ways. It soon begins to feel like an
exercise in audience manipulation.
The lead performances from Nic Cage and Kate Beahan are rather
solid in the first half of the film. Cage has enormous range...
he can be magnificent in one film and complete shite in another.
In this film, he leaps from one to the other as the script lets him down
with some of the most ludicrous lines of dialogue.
Kate Beahan was last seen as the evil stewardess/flight attendant
in "Flight Plan". She shows great potential in both and I think
we will get to see a lot more her in the next few years. She is
also a victim of the screenplay in this film. The first 60
minutes are a showcase for her talent. However, the final act must have
made her cringe.
The same can be said of Ellen Burstyn. This must be one of
the biggest gaffes in her stellar career. I can just see her in
her trailer each night while filming this movie, laughing to herself
and asking what the hell she got herself into.
Without giving anything away, the final third of this film dwindles
into a farcical conclusion that will elicit more laughter than chills.
I cannot believe that LaBute wrote the lines. I really cannot
believe that the actors and actresses said them without dying a little on the
inside. I truly cannot fathom how they wore the costumes without
thinking they were on a hidden camera show. It is truly abysmal.
Your mouth will be agape as you ask yourselves, "What the...?"
This film plummets from a B or a B+ thriller straight down to the D
range in a matter of ten or twenty minutes. I left the theatre
scratching my head in disbelief. I cannot imagine that the
original evoked the same response... It is too revered to have been
anywhere near as ludicrous. In fact, this film has tempted me to
see the original just to compare. It cannot be any worse than
this. |