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28 DAYS LATER

"Remind Me Again. What Happens After 28 Days?"
Directed by Danny Boyle - Written by Alex Garland
Starring Cillian Murphy, Brendan Gleeson, Naomie Harris, Megan Burns
Distributed by 20th Century Fox - 2002 - 113mins - Rated R

Jacob Hall's Review

B+

 
The days are numbered.
 
Horror movies these days...tsk, tsk. All blood and carnage, no suspense and no real fear. Look at "Psycho," on of the greatest horror films of all time. Most of the movie is chilling suspense with very little direct violence. Even the classic "Texas Chainsaw Massacre" has very little blood. It is all off screen, with only sound implying to what is going on. What no one understands, is that it is not blood and guts that make a movie scary, it's the evil creating the violence, and when the evil is hokey, stupid, and even makes wisecracks, all the fear is lost. British director Danny Boyle shows us that he knows this with "28 Days Later."

The story opens on animal rights activists releasing monkeys that are infected with a virus called Rage. Soon, all of Great Britain is in chaos. Those who have not been turned into psychotic monsters by the disease are fighting to stay alive. Our hero is Jim, a man who wakes up in the hospital to find all of London deserted. He searches the city, and finds a church, where he makes first contact with "the infected" in a scene that had people screaming in the theater. Soon, he meets other survivors, who he teams up with to stay alive.

The zombies in "28 Days Later" are not the slow moving, George Romero zombies. They are very fast and cunning. They don't go down easily, and one drop of their saliva or blood can infect you. They roam the deserted streets of London, killing or infecting any of the normal people. Unlike the recent zombie movies we have seen (Like the poorly done "Resident Evil" adaptation), the onscreen body count of "28 Days Later" is low. And most of the blood is vomited from the infected person's mouth, not from actual wounds. There are very few instances of direct combat with these monsters. Our heroes spend most of the time running and evading, which is much scarier because they are like normal people: they have no way to defend themselves. Few movies actually scare me, but this one did. The scariest parts come from trying to change a car tire with the undead bearing down on you; no scares come from decapitations or disemboweling.

The film also has a great advantage in its casting. Most of the characters are portrayed by unknowns, so we aren't distracted by knowing that a big name star won't die until the final reel or at all. Everyone is expendable, and we do not know who will get it next. This is one of the main reasons why "The Texas Chainsaw Massacre" was so effective. As a matter of fact, these two films have a lot in common with one another. They are both much more "Psycho" than "Friday the 13th."

As I write this, it is the day after Halloween. I watched "28 Days Later" on DVD last night, and I realized the same problem I noticed when I first saw it in theaters: the ending is very happy and corny. Now, I'm all for a nice ending, but when a film touches on the post-apocalyptic brilliance of George Romero and Alfred Hitchcock, the ending must keep the same style. The ending here is just stupid. The DVD promises three new endings, but none of them are that good. I can see why: there is no way any ending can live up to the brilliance of the rest of the film. This is an A- instead of and A only because of the ending.

The best horror film in years, though.
 
© Written by Jacob Hall - Email Me!

How We Rated This Film

TC Candler -

B
Richard Propes - B
Jacob Hall - B+

TC Candler's Comment

The first three-quarters of the film are simply brilliant, but it does tend to drift into familiar territory in the final act.  Still, this was a highly original and entertaining zombie thriller... Well worth a look!

Richard Propes' Comment

Danny Boyle is rapidly becoming one of my favorite directors. It's not so much that I find all his films brilliant, but I admire his willingness to take chances, cross genres and try the unknown. It works brilliantly here.


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