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TRISTAN AND ISOLDE

"A Love Story Without All Those Messy Emotions"
Directed by Kevin Reynolds - Written by Dean Georgaris
Starring James Franco, Sophia Myles, Rufus Sewell, David O'Hara
Distributed by FOX - 2006 - 125 mins - Rated PG-13

Jacob Hall's Review

D

 
Romeo + Juliet with Spider-Man's rival and an emotionless model.
 
I’ll make one thing clear to you one thing off the bat: I am not a romantic. I am a cynical, pessimistic misanthrope who grows incredibly depressed whenever he thinks about the world. “Romeo and Juliet” ranks among my least favorite of Shakespeare’s plays…”Hamlet” and “Macbeth” define real tragedy for me. Therefore, I am not the audience for a film like “Tristan and Isolde.” I cannot fathom two people instantly looking at one another and immediately falling in love…it’s ludicrous.

Despite this, I took it upon myself to judge this film with an open mind. After all, I can force myself to believe in such things for two things for two hours, right? I can believe in star cross’d lovers for that long, right? Right?

Apparently not…at least not without a competent script, cast and director.

The story seems to be taken off from the same legend as “Romeo and Juliet” (on the actual tale, I have no knowledge, but stories of ill-fated lovers are as old as the Greeks with their stories of Pyramus and Thisbe) and features a war between the powerful Ireland and the weak, splintered tribes of England. An English soldier named Tristan (James Franco), through circumstances that that would make you guffaw to relate here, meets the daughter of Irish king, named Isolde (Sophia Myles). They fall wildly in love and this leads ends up leading to war and death and destruction…all in the name of love. Aww…how cute.

Sorry, there’s the curmudgeon in me coming out. Let’s assume, though, that I am a romantic and that I can believe that such a love can flourish. To my knowledge, love requires a certain amount of chemistry between two human beings and none exists between Tristan and Isolde. They meet, talk for a few scenes and jump each other’s bones without missing a beat. There is no romantic tension, no proclamations of love; just some sweaty sex and some talk about “Needing you” and such.

It’s impossible to imagine chemistry even being able to exist between these two. Franco plays Tristan as if he has graduated from the Anakin Skywalker School of Acting, growing his hair long, pouting, posing and making excessively contorted facial expressions and calling it acting. As Isolde, Myles barely leaves an imprint on the memory. She’s nice to look at, but she acts like a woman from a low-grade television show. Her speech and physicality is too…modern.

That’s a big problem in this film. Much of the dialogue and many of the characters look and sound like characters taken out of a modern made for TV movie and placed in England hundreds of years ago. The costuming department should also be ashamed of itself (Really, sequins? No helmets in battle scenes?)

Much of the blame can fall on director Kevin Reynolds, who keeps the pace at a snail’s pace, and during the action scenes is infected with the dreaded MBS (Michael Bay Syndrome): no shot seems to last more than 2 seconds and whatever is happening onscreen is completely incomprehensible. Since this is a movie about love, I would’ve thought that blood and gore would be kept to a minimum, but it’s here in spades I also couldn’t help but notice that the action that is here is remarkably unimpressive, seeming to take scenes from other movies and copy them on a much lower budget.

I am curious what kind of film Reynolds was trying to make here. It’s a love story! An epic action film! And in the last twenty minutes, a climax that lowers the grade from a D+ to a D…where a mediocre villain becomes one of the worse villains since…well, last week’s “BloodRayne.” A completely normal villain, out of the blue, becomes like something out of a cheesy cult, B-movie. It’s so unintentionally funny, that if it was intentionally, it would be positive.

There you have it. Ladies and romantics, the romance is fake and the leads belong in a lousy soap opera. Guys and teenagers, the action is terrible and the pace will force you resolve ways to go to the restroom every five minutes. 2006 is off to a grand start, ladies and gentlemen!

Of course, that's just the pessimist in me.
 
© Written by Jacob Hall

How We Rated This Film

TC Candler -

B
Richard Propes - C
Jacob Hall - D

TC Candler's Comment

Franco's character was wafer thin and emotionally flat in a role that demanded the opposite. However, he was the only true negative about the film for me.

"Tristan & Isolde" is not as emotionally whole as I would have liked... But it is far from a poor film. Franco was weak, but the rest of the cast was pretty damn good. The sets were really convincing and the cinematography makes this one of the prettiest films of 2006. The story is a classic tale of unrequited love. And the pace was briskly entertaining. I am giving it a solid recommendation.

Richard Propes' Comment

When is the film industry going to learn how to use James Franco? Seriously, have you seen him in "The Ape?" The guy can act. He was brilliant as "James Dean," his break-out role. So, why does he keep showing up in average flicks that capitalize only on his great looks? This film isn't horrid, but a very average script with corny dialogue sinks any potential the film has for Franco and Myles.


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