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"But He's Big in
All the Right Places.
No, Pervert... Heart." |
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Directed by Matthew
Bright - Written by Bill
Weiner
Starring Kate Beckinsale,
Matthew McConaughey,
Gary Oldman
Distributed by Reality
Check -
2003 - 90mins - Rated R |

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TC Candler's Review
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C- |
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Head-Scratcher...
This
is a very bizarre little film that hardly
received any theatrical play. The film made it
to a few film festivals and was not very well
received.
My interest was peaked by the participation of
one of my favorite young actresses, Kate
Beckinsale. I thought to myself, "How bad can it
be?"
Well, it turns out that the film is rather weak
in every area.
The premise is a bizarre one. Beckinsale is in a
relationship with Matthew McConaughey, who has a
history of dwarfism in his family. He is one of
the few normal sized people in his family. But
he has kept this a secret from his girlfriend
until she reveals that she is pregnant with his
baby.
In a side plot, his brother arrives in town for
a little people convention. The dwarf brother is
played by Gary Oldman.... Yes that's right, GARY
OLDMAN????!!!!
They use a few poorly executed digital effects
and some "forced perspective" to make him appear
like a little person. The fact that his arms are
way too long and that he has to walk on his
knees for the entirety of the film makes this a
dreadful idea.
The brother arrives in town with a friend played
by Peter Dinklage (The Station Agent), who falls
in lust with a highway hooker played by Patricia
Arquette.
Trust me... this gets even stranger.
The baby arrives and causes conflict with
McConaughey and Beckinsale. And after they
split, she and the dwarf brother start a close
friendship of sorts.
I am tired of recounting this loony plot. The
film is heavy with messages about how little
people are just like the rest of us and that we
should see beyond the exterior. BLAH BLAH BLAH.
Who needs it?
I liked McConaughey and Beckinsale a lot, but
the script is absolutely silly and cheesy in
every way.
I am tempted to drop this film to a D+ because
of the insane idea of Oldman as a dwarf. It
reminds me of when Hollywood painted white
actors to play Indians in old westerns. It is
insulting and unrealistic.
Skip this film unless you are desperate to see
Beckinsale look obscenely beautiful for 90
minutes... or if you want to see a few shots of
McConaughey in his undies.
The story leaves a lot to be desired. The
direction is simple and dull. The acting is only
as good as the dialogue allows. And the message
is a gag inducing one that doesn't achieve its
goal.
©
Written by TC Candler
Richard
Propes' Comment
Director
Matthew Bright needs to be unemployed...I'm
simply amazed this film is not a high "B" or low
"A" film. It should be...the performances
deserve that much. Yet, Bright clearly thrives
on little moments of melodrama and hardsell...over
anything actually resembling a storyline and
dramatic resolution. With an entirely different
theme, this film oddly resembles the chaotic
style he used to direct "Bundy."
The script is credited to Bill Weiner, who has
no other films to his credit. I'd have to
suggest a few more writing classes before he
attempts any others. This film had remarkable
potential, but falls significantly short due to
an inconsistent plot and chaotic storyline.
This film is definitely not for everyone, but I
found it entertaining, moving and an authentic
look at dwarfism, life, childbirth and
relationships. It's a tremendously missed
opportunity for greatness, but I still give it a
moderate recommendation thanks to strong
performances by McConaughey, Beckinsale, Oldman,
Dinklage and Arquette.
Jacob
Hall's Comment
n/a


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