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300

"Prepare for Gory... Glory!"
Directed by Zack Snyder - Written by Z. Snyder, Kurt Johnstad, Michael Gordon
Starring Gerard Butler, Lena Headey, Dominic West
David Wenham, Vincent Regan, Rodrigo Santoro
Distributed by WB - 2007 - 117m - Rated R

Jacob Hall's Review

B+

 
Are you ready for a movie about muscular, scantily clad men slicing and dicing their way through thousands of faceless enemies, shouting virtually every line of dialogue at the top of their lungs and ranting about freedom and the way of the warrior?

Oh, don’t lie. Of course you are.
 
“300” is quite possibly the most testosterone-soaked movie I have ever seen, managing to even top the incredible machismo of the first “Predator” and “Die Hard” films. Everything about this movie, from the outrageous level of blood and violence to the tough guy one-liners to the ample amount of female nudity screams one word: MAN.

And for the ladies you have Gerard Butler running around in leather underpants for two hours. Is that a fair trade? I await your emails.

“300” is based off of Frank Miller’s graphic novel, which in turn, is based off of the battle of Thermopylae, where a small group of Spartans held off a massive army of Persians. Rather than a historical, literal retelling of the events, Miller’s comic elevated the story to that of a legend, like something out of Homer’s “The Illiad” or “The Odyssey.” For the film adaptation, director Zach Snyder has taken that tone literally.

One thing can be said about Snyder (whose remake of “Dawn of the Dead” was one of the most pleasant surprises of 2004)…he sure can shoot action. If you’ve seen the trailers for this movie, you’ve already gotten a taste of the visual wonders that “300” contains. Like that other Miller adaptation, “Sin City,” “300” is shot entirely in front of green screens and the background is CGI’d in later, mimicking the style of the original artwork. “Sin City” is to film noir what “300” is to period epics. Both take a genre and create a hyper real extension of anything and everything we have seen before, but are so honest and non-pretentious in their presentation, that this is seen as style rather than lazy filmmaking.

So…if you liked “Sin City,” you will undoubtedly love “300.”

But if you didn’t like the former, don’t rule out the latter yet…but at the same time, don’t get your hopes up.

Where was I? Oh yes. Zach Snyder.

This is a gorgeous movie…simply gorgeous. It look fantastic…the most mundane shots in the film are still filled with a beauty rarely seen even in the best movies out there. The computer generated locations or beautiful…the editing is beautiful…the cinematography is beautiful…hell, even the people are beautiful. If the action doesn’t entice you, then Gerard Butler or Lena Headey will (particularly since both show quite a bit of skin throughout the film).

Yeah, this movie is filled with sex. But the sex is nothing compared to the violence, which, although stylized, is brutal. The last 2/3 of the film is virtually one long battle with heads being lopped off, limps hacked away, torsos impaled and just about any other form of violence you can possibly imagine.

Now, I’m not one to endorse violence, but damn…THIS is cinematic violence!

Ultimately, the good traits of “300” act as a double-edged sword. Much of what makes it unique also keeps it from being the masterpiece that myself, and thousands of internet fanboys, wish it would be.

In order to fit the tone of an epic poem, everything in “300” is taken up to the hilt. Everyone yells. Everyone reacts violently. And while this is wonderful in a visceral way, the ultimate effect makes the entire thing feel a little hollow at times. These characters are just broad caricatures. Certainly, the same thing could be said about Hercules or Odysseus, but they’ve had thousands of years to become ingrained in our consciousness, whereas “300” tries to pull a legend out of it’s ass.

I highly recommend this film. Truly. I had a blast. The person I saw it with had a blast. This is an amazing, almost unparalleled visual experience.

But that’s it. Visual. There’s no human heart here. Still, with two movies under his belt, Snyder has proven himself to be an exciting director. His next film is an adaptation of Alan Moore’s “Watchmen,” the “Citizen Kane” of comic books. This will be his chance to prove whether or not he can do characters. I’m pulling for him.


Gerard Butler Uses an Abs-Master in 300.

 
© Written by Jacob Hall - Email Me!

How We Rated This Film

TC Candler -

   
Richard Propes -    
Jacob Hall - B+

TC Candler's Comment

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Richard Propes' Comment

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