| Chris Gorak wrote this
terror strike scenario and managed to get it produced on what seems
like a shoestring budget... at least in terms of Hollywood today.
It deals with the rather ominous and lingering possibility that a
major US city will be targeted by terrorists in much the same way as
9/11. Only in this film, it is the after effects of dirty bombs
detonated all over Los Angeles that cause the real terror and panic.
Rory Cochrane and Mary McCormack star as Brad and Lexi, a married
couple waking up to a smog-filled morning in the city of
angels. Brad, the loser musician, kisses his working wife
goodbye, as she heads off to a real job, before going about his
typical
routine of doing nothing around the house.
While brushing his teeth, the radio, playing his morning news and
cheerful tunes, is suddenly interrupted by an emergency broadcast.
After a few moments of natural confusion, Brad starts to realize what
he is listening to... the first reports of a horrific sequence of
explosions all across the city. A few quick steps out onto his
front lawn allows him to gaze on the distant plumes of smoke rising
from the downtown skyline.
Panic sets in as he realizes where his lovely wife was
headed just a few minutes earlier. He jumps in his car with the
intention of going to find her. However, along with everyone
else in his neighborhood, he is penned in by police barricades.
The radio reporters are warning of gasses and fumes, urging citizens to
return home as soon as possible. Brad manages to make an emergency trip
to the local hardware store where he stocks up on duct tape and
plastic wrap.
It is in these early moments of the film that the film works best.
It plays out very much like one would imagine it would in real life.
It is a riveting beginning.
A local neighborhood worker barges into Brad's house saying he has
nowhere else to go. They both go to work sealing up the house
from the outside air... And all the while, Brad is panicking because he
has had no word from Lexi. The phone lines are totally jammed.
After a few hours of duct taping and listening to the shocking
radio reports, Lexi arrives home in bad shape. She has been out
in the dirty air for hours, white ash and soot raining down on her as
she made her way back from her wrecked car. And when she finally
makes it home, Brad is faced with a horrific dilemma... Does he let
her in or not?
I will stop the plot recap there... This film will play better if
you don't know what happens in the second and third acts. I will
note that "Right at Your Door" dives into a fascinating premise and
presents it with some brilliant acting.
I've been a fan of Mary McCormack for years. In this film,
she delivers some of her best work as a woman in a harrowing and
desperate situation. She really stretches herself to the limit
in every scene. It is brave work.
Rory Cochrane also delivers in some key scenes, although there are
a few moments that strike me as forced and false. Those occur
primarily in the final few scenes when the desperation is at its
highest level.
I also liked the political commentary presented here. There
are some quite overt references to the insularity of present day
America and the lack of governmental leadership and organization.
There are times in this film that really reminded me of the debacle in
the wake of Hurricane Katrina.
There is a great deal to admire about the focus of this film.
It reminded me of M. Night Shyamalan's "Signs", where a
worldwide disaster is shown through the eyes of one solitary family
trapped
inside their own home.
And the final reference I want to point out is in regards to the
style, tone and look of the film. I was reminded of the viral
zombie film, "28 Days Later". Both films play out with that
washed-out doomsday look and a realistic approach to an insane disaster
scenario.
All in all, "Right at Your Door" is a solid effort that wanes a
little from time to time as the screenplay runs out of things to say.
I mean, how many times can you listen to a character cough up a lung?
It seemed like the film was being stretched to fill the required 90
minutes. Still, I respect the effort, loved the performance by
McCormack and appreciated the observant references and political
implications... especially in the final act. This film felt real
from credits to credits and serves as a warning to us all. |