Slow
Road to Nowhere...
Ahh,
the French... How perplexing they can be! It
seems that every film they produce has layers
that go far deeper than most of the schlock we
are treated to each year at multiplexes.
But the French are very capable of laying an egg
every now and then too. They have done so with
"Red Lights", a film that I have been eager to
see for months now.
This is your quintessential "what the hell was
that all about" film! As the closing credits
rolled, I found myself scratching my head in
utter confusion... not because the story left me
bewildered, but because I have absolutely no
idea why this film was made.
The film consists of an opening group of scenes
between a husband and wife preparing to drive a
few hours to go pick up their kids from Summer
camp.
She showers and packs her clothes. He sneaks off
for a few drinks. They argue a little bit. And
off they go onto the highways of rural France.
The arguments get more aggressive and the
husband decides to stop off for a whiskey to
calm himself down. But when he returns to the
car, his wife has vanished, leaving a note that
says she will be taking the train from here on
out.
The rest of the film follows the husband on a
frantic search for his wife, a search that leads
him to meet up with a shady hitchhiker with a
secret.
The premise sounds intriguing... but the payoff
is as dull as a piece of lint watching paint
dry.
The film plays like a random man in a crowd
screaming "Hey everybody! Hey everybody!" and
then muttering "Never mind."
I was so frustrated with this film's lack of
direction and inertia. There is an unbroken
scene with the husband making phone call after
phone call for what must have been 20 minutes...
I wanted to shoot myself during that scene.
I am a huge fan of French cinema, but this film
fizzles into nothingness and left me with a sour
taste in my mouth. The only emotion this film
produces in the viewer is frustration, and that
is not enough to make a film worth while.
©
Written by TC Candler
|
How We Rated This Film
|
TC Candler -
|
  |
D+ |
| Richard Propes
- |
|
|
|
Jacob Hall
- |
|
|
|
Richard
Propes' Comment
n/a
Jacob
Hall's Comment
n/a