|
"Dreaming Reality
or Living a Dream..." |
 |
Directed by Alain
Berliner - Written by
Ronald Bass, David Field
Starring Demi Moore,
Sinead Cusack, Julianne
Nicholson
Distributed by Paramount
Classics -
2000 - 105mins - Rated
PG13 |

Make
your choice...
This
is the kind of film that requires a leap on the
part of the viewer. Preconceived ideas of
reality truly need to be left at the door when
watching this imaginative and original film.
True romantics will be able to make this leap
with greater ease, as this film is first and
foremost a romance… or two. To explain, Marie
(Moore) is a book reviewer and a single mother
of two girls living in a picturesque rural area
of southern France. Martie (also Moore) is a
high powered business woman living, single and
alone, in Manhattan. The two women are
essentially the same person, both aware of each
other, and confused as to which of them is real
and which is a dream. When one woman is asleep
the other is awake and vice versa. In both lives
she has friends that think she is a little
kooky. The film tries to take us along the
journey that both Martie and Marie must travel
in order to find the truth. Psychologists in
both lives try to help her, but both of their
efforts are in vain.
The twist in this film happens when she falls in
love, in each life, with different men. Both men
(Skaarsgard and Fichtner) offer her comfort and
support and become aware of her situation. I
will not give anything away at all, but these
men are the catalyst to her discovery. The
romances are both convincing to her and to the
viewer, and that is the success of this film. We
are just as in the dark as she is.
The direction is smooth, calm and very well
paced. The cinematography is supremely beautiful
and the score that accompanies the film is
haunting and perfect for this kind of story.
Everything is done with an eye for detail and
does not suggest that this is a film that failed
at the box office. Demi Moore has really made
some poor choices in her recent selection of
roles… but this film is a triumph for her. Oscar
should at least consider her in this tricky
performance.
I concede that some of the dialogue is
infantile, but we must remember that this is a
fable, not a biography. Tarantin-esque
conversations would not suit this film. Also,
the middle third of the film lags in parts, but
if survived, it will be well worth the wait.
Passion of Mind is the type of movie you should
watch with your heart rather than your brain,
and if you do that, I suspect that you will love
the premise, love the story, and fall asleep,
the night you watch it, feeling good.
©
Written by TC Candler
Richard
Propes' Comment
I am
heart-ruled. Heck, sometimes I wonder if I even
have a brain. Unfortunately, in "Passion of
Mind" I found little to connect with throughout
the film. Demi Moore is utterly unconvincing in
pulling off both roles, and she's surrounded by
men who constantly seem to be insincere. The
script is convoluted, the resolution neat and
tidy and, well, too simple for a film that has
tried to be complex.
Jacob
Hall's Comment
n/a


|