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"Ocean's 11? He
Looks At Least 21!" |
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Directed by Steven
Soderbergh - Written by
Ted Griffin (from 1960
screenplay)
Starring George Clooney,
Matt Damon, Julia
Roberts, Don Cheadle
Distributed by Warner
Brothers - 2001 -
116mins - Rated PG13 |

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Are you in or out? |
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Sometimes you have to throw serious criticism out the window and have
a good time with a very implausible, extremely entertaining film.
"Ocean's Eleven" fits the bill nicely.
A remake of a film starring the Rat Pack, the remake has a cast that
is just as cool as Sinatra, Martin, Davis, and the others. George
Clooney is Daniel Ocean, a thief who has just been released from
prison. He decides to perform a heist with the help of an elite team.
The team includes some awesome actors: Brad Pitt (the witty, tough guy
friend of Ocean), Matt Damon (the newcomer), Don Cheadle (the expert
demolitions man), Bernie Mac (actually pretty good as a sort of
distraction person) and several others. The plan is to rob three
casinos owned by a slimy businessman named Bennett (the ever wonderful
Andy Garcia), who just happens to be seeing Ocean's ex-wife (Julia
Roberts).
"Ocean's Eleven" plays like a PG-13, less cryptic version of
"Reservoir Dogs." The first half of the film is the set up of the
heist, and the other half the heist itself. And what a heist!
Director Steven Soderbergh ("Traffic") keeps the tension high, and the
action exciting. It's also nice to see a group of anti-heroes who
manage to be cool without every being evil. So many movies with
criminals show us everything bad that they do. Sure, in real life,
criminals are bad, but here, they are so fun, so charismatic. and so
cool, that we want them to win. The only villain presented is a sleazy
casino owner. Never do we see the cops involved, or anyone who is
hurt, so we don't feel bad about cheering these guys on.
A terrific film. If everyone in your family is at least 14, I'd say
that it's the perfect family film! |
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© Written by Jacob Hall -
Email
Me! |
TC Candler's Comment
How
rare... a remake of a crummy film. Luckily the
remake is far better and is a worthwhile venture
into the high-tech caper genre. Danny Ocean
(Clooney), just released from a stint in prison,
immediately forms a "Dirty Dozen" type group of
buddies who will all play a part in the theft of
$150 million from three Vegas casinos. One is
the pickpocket, one is the inside man, one is
the forger, one is the demolition expert... etc.
I was surprised not to see a tunnel man. Anyway,
you get the picture. The eleven of them are all
involved in one way or another and each of them
gets his share of screen time. The billionaire
in charge of all this loot is Terry Benedict
(Garcia) who, not so coincidentally, is also
dating Danny's ex-wife Tess (Roberts). So we
watch this group, some suave and debonair,
others motley and weird, as they plan the
complex and virtually impossible task of
knocking off one of the most guarded vaults in
the world, rivaling the security of a "nuclear
missile silo." All the while, Danny has an
ulterior motive in that he wants to win back his
ex, a fact that is not lost on Rusty Ryan (Pitt)
who warns him that the heist will fail if his
feelings get in the way.
The all star cast, all very talented, shine in
every scene they are in. If only some of them
weren't on screen for less than a minute or two,
we might actually get to enjoy it more. Come to
think of it the film should be called Ocean's
Three or Four and then a Bunch of Other Guys...
and a Girl. The actors who occupy the bulk of
the running time are all truly movie stars in
every sense of the word. Clooney can carry the
screen as well as anyone when it comes to roles
like these. I'd like to see him try a role where
the character is dumb and ugly, awkward and
unfunny... although I doubt he gets many scripts
like that. Pitt is his cool self in the sidekick
role. Julia... well what more can you say. And
Andy Garcia is superb as the slicked back haired
business man with a sharp intellect, who has his
eye on and his hand in everything. Garcia is a
terrific bad guy.
Soderbergh does a good job of going unnoticed
here. The film didn't have all the trademarks of
his recent outings. Here he has a blueprint to
follow, and he does so with aplomb. A caper
movie needs style and flare, not inventive cuts
and angles. He shows here that he can handle all
the standard film assignments. What he should do
now is revert to his unique and original style
that made him great with films like Traffic, Out
of Sight and Erin Brockovich. I think this was
just to show us that he can sell out just like
any of us. At least he sells out well.
The ending was a little Mamet-like... too many
twists and turns draw attention to the plot and
say to the viewer "look how clever we are." The
final two minutes, the resolution, were abysmal.
I was left with the word... AND? It was
confusing and deflating after a film that was
all green lights from the word go.
This next criticism may sound odd considering I
give the film a solid recommendation, but the
heist itself is ludicrous. The plan has more
holes than Swiss cheese. I laughed in parts, as
will anyone with any common sense, at the
ridiculous ways the group bypasses certain
security measures. Ray Charles could have
provided more security for the vault than some
of the guards. But I guess that is part of the
fun in making and watching a film like this...
How far can you go? This film definitely tests
the limits of that question.
The material is over powered by the people
working with it. The script is elevated to the
silver screen as lushly as possible, I doubt
many could have done better with this story.
Unfortunately the film falls short of greatness,
and with my extremely high expectations going
in, I was slightly disappointed.
Richard Propes' Comment
n/a


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