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"For Relaxing
Times... Make It Suntory
Time." |
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Directed by Sofia
Coppola - Written by
Sofia Coppola
Starring Bill Murray,
Scarlett Johansson,
Giovanni Ribisi, Anna
Faris
Distributed by Focus -
2003 - 102mins - Rated R |

"Everyone
Wants to be Found"
I love films
about 'old souls'. Sofia Coppola's sophomore
effort is masterful in its depiction of two such
people, Bob and Charlotte, who find each other
in a foreign land, surrounded by hoards of
people who seem oblivious to the complexities
and possibilities of human connection.
Bill Murray stars as Bob Harris, a reasonably
famous actor who is a little past his marketable
prime. He is in Tokyo to do a Suntory Whiskey
commercial, bored out of his mind and feeling
tremendously lonely despite the constant
attention from fans and advertising execs.
Scarlett Johansson plays Charlotte, a young
woman wise beyond her years, who is in town with
her photographer husband while he is on
assignment shooting a rock band.
Bob is disillusioned and slightly depressed...
Charlotte is feeling slightly ignored by her
husband. You can tell that both of them are
uncomfortable with other people -- They do not
make friends easily. But somehow, after a few
chance encounters, glances across crowded
elevators and knowing nods across hotel bars,
they find each other. Their conversations appear
to be in slow motion when compared with the
hustle and bustle of Tokyo nightlife. Everyone
around them seems to be so consumed with
business, partying, selling, drinking and
blabbing. Bob and Charlotte have thoughtful,
meaningful conversation with a shared wit and
sensibility that sets them apart from everyone
else. Together, they find those magical moments
in life when they feel like they're the only two
people on Earth. And it is all so sad, because
it ultimately feels like a film about what might
have been.
'Lost in Translation' is a great film because it
captures those magical moments -- The sly
smiles, the inadvertent touches that linger a
shade too long, the truly comfortable silences
and the secret conversations. This film is about
the little things that most people fly
obliviously by while on their way to another
meaningless encounter.
This is one of the most memorable couples in
film history, which is odd when you consider
that they are both married to other people. But
Bob and Charlotte are memorable because they
connect in ways that married couples are
incapable of. Sure, marriages can have beautiful
moments and profound connections. But they
rarely sustain that initial wave of hope, those
nervous butterflies, those breaks from the
routine of destiny and day-to-day life. This
relationship comes to Bob and Charlotte when
they most need it. There may not be a physical
connection here, but there is an emotional one
that seems to invigorate them and gives them
hope to carry on in this lonely world.
Consider the scene in the hotel room, as they
are about to drift off into dreams, as their
conversation meanders, but never wanes. It is
one of the best scenes I have ever seen,
beautifully written, masterfully shot. Charlotte
blankly states, "I'm stuck. Does it get easier?"
Bob replies, "No. Yes. It gets easier." She
jokes, "Oh yeah... look at you." He says,
"Thanks." The final shot in that scene has Bob
gently touching her foot as they fall asleep,
and mumbling, "You're not hopeless". There is
such tenderness in that moment.
I love this film. It is the kind of film that
you will want to watch when you need to be
reminded that you are not alone. However, it
does require the viewer to provide something. It
demands patience and it also asks that you have
at least a minor familiarity with either Bob's
or Charlotte's emotions. One has to be willing
and able to admit that marriage is not always
the pinnacle of human connection, that sometimes
we need a new soul in our lives to provide a
spark that might be lacking or lost.
Bob and Charlotte were lost until they found
each other, and that final whispered moment will
remain theirs, and only theirs, forever. I think
that final scene promises, them and us, hope
that they will meet again someday, in this world
or the next.
'Lost in Translation' is one of the very best
films of 2003. It is easy to understand why it
is the most critically acclaimed film of the
year, making more major top ten lists than any
other film by far (Only 'Mystic River' and 'Lord
of the Rings 3' came remotely close). Both Bill
Murray and Scarlett Johansson deliver powerful
performances, worthy of Oscar consideration.
Sofia Coppola announces herself as a major
player in the directorial ranks with this
film... although her writing may be the more
laudable of her talents. I will be first in line
to see her next film. 'Lost in Translation'
immediately contends for a spot in my 'All Time
Greats' list... it is a glorious masterpiece.
©
Written by TC Candler
Richard
Propes' Comment
Have you ever experienced those fleeting moments
of love? You know the ones...falling in love
with someone you will never have, may never see
again...those moments, beautifully captured by
Sofia Coppola in the film "Lost in Translation,"
are what make this film a wondrous movie-going
experience. "Lost in Translation" is written and
directed by Coppola, and she received an Oscar
nomination for direction and an Oscar win for
the screenplay. Additionally, the film was
nominated for an Oscar for "Best Picture."
I admit to being in the camp of those who loved
this film, though I'll also confess that I was
slightly less captivated on a second viewing.
Bill Murray, who I've long admired as an actor,
seems to have the perfect role here as Bob
Harris, a 70's action star reduced to commercial
acting in Japan. His cohort in the film, played
by Scarlet Johansson, is perfect and their
chemistry makes the film ultimately watchable. I
could see so many actors getting lost in this
script, with its simple nuances and often quiet
approach to comedy, life and personal truth. The
film is often somber, but Murray is a joy to
watch. In smaller roles, I enjoyed Giovanni
Ribisi (always dependable, it seems) and a wide
range of the Japanese actors/actresses. Overall,
I put this film in the "A" range mostly for its
uniqueness, simplicity and beauty. It's not
quite in my Top 100, but it is a film I
recommend.
Jacob
Hall's Comment
It's rare
to view a film that is not only a hilarious
comedy, but a moving drama and a fascinating
character study. "Lost in Translation" is one of
these films. Written and directed by Sofia
Coppola, it's apparent that the film talent runs
in the family. She is truly responsible for
nearly every aspect of this wonderful film.
A washed up movie star (Bill Murray) travels to
Japan to film a commercial for a fat paycheck.
He is a lonely man, who seems to have lost his
way. A young, attention craving woman (Scarlett
Johansson) spends her days in a hotel room
because her photographer husband is away all
day. Soon, these two lost souls meet, and over
the course of week, form a strong friendship.
The major complaint I have heard about "Lost in
Translation," is that it is too slow, or that it
goes nowhere. I couldn't help but think that was
the entire point of the film. The tagline is
even "sometimes you have to travel halfway
across the world to go full circle." These are
two people who have problems that will take a
long time to solve. Just one week will not fix
them, but their friendship starts the healing
process.
Supposedly, Coppola tracked down, and convinced
Murray to take the part. The once-great comic
actor had fallen into seclusion. It's obvious
why she tracked him down. He plays the part
perfectly. He proves himself to be beyond just
comedy. He proves himself to be a great dramatic
actor. He balances both the humorous scenes and
the dramatic scenes incredibly. It's a
performance that deserves an Oscar. Johansson is
also wonderful, and has found a high spot on my
favorite actress list. She is not only gorgeous,
but extremely talented. Her interaction with
Murray is beautiful, and the chemistry flows.
Not for every taste, "Lost in Translation" is
slow, but it's never boring. It's funny and
moving. A real modern masterpiece.


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