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"My, My... That's a
Mighty Big Sword You
Have!" |
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Directed by Edward Zwick
- Written by Edward
Zwick, John Logan
Starring Tom Cruise, Ken
Watanabe, Billy Connolly
Distributed by Warner
Brothers -
2003 - 154mins - Rated R |

Underrated...
This Tom
Cruise epic was unfairly overlooked because of
mediocre reviews and a subject that most
American viewers weren't too familiar with or
interested in. The film received lukewarm
reviews from prominent critics and barely made
over $100m at the domestic box-office. With
production costs and marketing fees estimated at
over $170m, this film had to rely on overseas
income and a successful DVD release. 'The Last
Samurai' did significantly better overseas,
raking in almost $350m, and it will hopefully
find an audience on DVD with those Americans who
weren't willing to make a trip to the theatre
last year.
I must offer my confession to being one of those
who decided to skip it during its theatrical
run. It came out during a busy Christmas
schedule and I never found free time to squeeze
it in. Now that I have seen the film... I regret
not making time for it on the big screen.
The film has elements of 'Braveheart', 'Seven
Samurai', 'Shogun' and 'Ran'. It is an
aesthetically gorgeous movie with sweeping
landscapes, glorious battle sequences and
incredible set and costume design. The story is
grand and emotionally powerful, combining
Japanese history, political and military
intrigue, romance and war. This film carries the
emotional weight of a masterpiece. The acting is
uniformly spectacular, most notably from Ken
Watanabe as the fierce Samurai leader and Koyuki
as the widowed love interest for Cruise's Algren.
If there is anything to quibble about with this
film, it is the casting of Tom Cruise. Now,
before it appears that I am Cruise bashing, you
must understand that I think he is a masterful
actor... one of the best we have. But his
casting here seems out of place. He doesn't seem
to fit in period pieces very well. Tom Cruise is
the poster child for all-American good looks
with his huge smile and chiseled features... he
is a man of the 21st century. I just didn't buy
him as Nathan Algren, civil war Captain.
Cruise also pulls a Kevin Costner in this film
with too many close-ups of his tortured eyes and
conflicted face. This seems very much a vanity
project. At no point in this film did I forget
that I was watching Tom Cruise... and that is a
problem when sitting down for a film like this.
He doesn't do a poor job of acting, far from it.
But he just feels like the wrong guy for this
role.
All that being said, I really liked this film.
It is fully deserving of its 145 minute running
length. The film moves briskly and always has
another great scene right around the corner. The
ending was a trifle too predictable, but it
moved me nonetheless. The unspoken love story
was the most compelling aspect of the film, but
the battle sequences were spectacular, and the
war between the old-world and new-world was
tremendous to behold. All in all, 'The Last
Samurai' was a great adventure and well
deserving of a strong recommendation. It will
contend for a spot in my Top 10 films of 2003.
©
Written by TC Candler
Richard
Propes' Comment
"The
Last Samurai" is a wonderful film, despite the
Tom Cruise posturing...and the Tom Cruise
"manly" voice that permeates the first third of
this film. Cruise, who I love as an actor and
adore typically his films, uses this voice often
to project strength and power. It's the same
thing as Denzel's finger pointing...which he has
used in the last six films I've seen him in. It
drives me bonkers. But, about midway through
this film Cruise seemed to relax into the
humanity of his character and I became
interested...though, as one other critic said,
never forgetting that this was Tom Cruise.
Perhaps the biggest reason i love this film is
the performance, Oscar nominated, of Ken
Watanabe. Watanabe embodies the strength of his
character without any of the posturing. It is,
at once, a powerful, courageous, tender and
vulnerable performance. Quite brilliant.
The direction of Edward Zwick, despite being
unable to manage his star, is generally
competent if not dazzling. The entire supporting
cast of largely Asian actors is wonderful.
Cinematography, costuming and action sequences
all come to life...I especially loved the
choreography of samurai scenes. It took a topic
that really doesn't interest me and drew me in.
That's impressive.
Overall, I can't quite call this one of my
all-time favorites but it's a film I enjoyed
MUCH more than expected...it's a film with one
of the best supporting performances I've seen
from Ken Watanabe and it's technically superb.
Unexpectedly, I recommend this film.
Jacob Hall's Comment
One of the best movies of the year, if not the
best.


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