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"This is A Stolen
House!" |
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Directed by Vadim
Perelman - Written by
Vadim Perelman
Starring Jennifer
Connelly, Ben Kingsley,
Shohreh Aghdashloo, Ron
Eldard
Distributed by
DreamWorks -
2003 - 126mins - Rated R |

Balancing Morality...
It
is a simple, plausible, powerful story that
leads to devastating consequences. Vadim
Perelman directs this adaptation of the
best-selling novel in which a modest two story
home becomes the focal point of an all-out war
between two parties.
One of those parties is Kathy Nicolo, played
with absolute conviction and heartbreaking
poignancy by Jennifer Connelly. Kathy has had a
hard life. Her family is distant, literally and
figuratively. She has had bouts with drug abuse
and alcohol addiction. And finally, after
overcoming all that, her husband left her to
fend for herself. Months later, she finds
herself in a constant state of depression and
denial which leaves her holed-up in the house
her father left for her. The bills are mounting,
the mail is piling up, and the cold phone calls
from her mother are making Kathy even more
depressed than she already is.
One morning, Kathy is informed that her house is
being repossessed because of unpaid taxes, which
she doesn't even owe. But the bureaucratic
machine works too fast for her to stop it. She
is evicted within twenty-four hours. A friendly
cop (Eldard) gives her a few helpful tips and
keeps an eye out for her during the crisis.
Kathy gets stuck in an impossible to navigate
maze of red tape.
Meanwhile, the house is being quickly auctioned
for a quarter of its estimated value. Massoud
Behrani (Kingsley) is a proud father and husband
who fled from Iran with his family. He was
Colonel in the army under the Shah. He recently
married his daughter into a wealthy family but
has financial worries of his own. He works two
jobs, neither of which are worthy for a former
Colonel. He is running out of money and can no
longer sustain his current standard of living.
He bids on the repossessed house and is
delighted when he hears that his purchase will
make him in excess of $100,000 profit. It will
be enough to pay for his son's college education
and have some left over to rebuild his life.
The war starts here. Kathy uses everything in
her power to try to reclaim the house... the
law, intimidation, pity, morality, begging. She
has been unjustly robbed of her only possession
and will stop at nothing to get it back. She
even starts to fall in love with the cop who
helped her, and uses his badge and authority to
gain an edge over the new inhabitants.
Massoud cannot give up on the only lifeline he
has for his family. He sees it as his duty to
defend the purchase, which by all accounts is a
legal one.
The two parties clash over and over again in
various ways which I will not spoil for those
who haven't seen the film. Needless to say
though, the results and consequences are headed
toward inevitable tragedy.
First time director, Vadim Perelman, does a
stellar job of conveying the mood from credits
to credits. He really grasps the grave tone of
the film and fills every scene with an air of
intense magnitude. Viewers will really feel that
something huge is on the line... this is an epic
story of fierce determination and will power at
odds with each other.
Connelly and Kingsley should both be considered
for Oscars here. Connelly has churned out six
recent performances that all dance with
magnificence (Dark City - Waking the Dead -
Requiem for a Dream - A Beautiful Mind - The
Hulk - House of Sand and Fog). She is very
clearly one of the very best we have, joining
the very elite of our time. Her portrayal of
Kathy Nicolo is a stunning tour-de-force that
will leave you breathless. There is more drama
in one solitary tear rolling down her cheek than
in ten hours of hobbits, dwarves, elves, and
orcs doing battle over a ring. She brought tears
to my eyes.
Kingsley is almost as powerful as the stoic
military man whose will and determination will
not allow him to fail his family. I am sure he
will get an Oscar nod for this performance.
The only thing that prevented this film from
being one of the all time greats was the failure
to strike a perfect balance between the warring
factions. Some critics have claimed that the
screenplay will have you at odds with yourself
as you argue the merits of both sides. I think
that would have made for a magical film. But I
think the film slightly fails in that regard.
I have strong feelings as to who was in the
right. Kathy had done nothing wrong whatsoever.
Her only possible crime was lethargy. But the
facts show that she DID NOT owe that money and
therefore should never have lost that house. On
the other hand, Massoud profits from another's
misfortune and stubbornly refuses to do the
right thing by returning the house at the same
bargain price. He almost acts like a child who
covers his ears and screams "La La La La La" in
denial of the moral thing to do. Sure, it is
unfortunate that he and his family are in this
situation, but it is not an injustice.
Then there is the matter of the police officer
who falls for Kathy. His actions are the most
suspect in the film. Virtually everything he
does after the initial scenes are vile and
contemptible, even though his intentions are
always good.
However, what truly pushed me over the edge into
Kathy's corner were the final scenes. Again, I
will not reveal what happens... but Massoud's
final actions are the most selfish,
chauvinistic, and cowardly of any character in
recent memory. I knew I sided with Kathy before
those final scenes, but I didn't think of
Massoud as a horrible person until the closing
moments. Some may disagree vehemently with that
assessment.
Overall, the film is a splendid accomplishment
for a first-time director. It will toy with your
emotions and work them into a frenzy. I think
this is one of the 10 best films of 2003, but it
would have easily made my Top 3 if it had
achieved the balance it was shooting for.
Nevertheless, I highly recommend this thrilling
drama which is sure to stir up some debate
between all those who watch it.
©
Written by TC Candler
Richard
Propes' Comment
"The
House of Sand & Fog" is a powerful film
featuring an Oscar-nominated performance by Ben
Kingsley and a wonderful performance by Jennifer
Connelly.
An abandoned wife is evicted from her house due
to an invalid tax left unpaid. Sadly, the house
is auctioned before she is unable to clear
anything up legally...the house is sold to
Behrani, played by Ben Kingsley. Behrani is a
proud man...once a Colonel in the Iranian
Army...now a man struggling to survive and
maintain the trust and respect of his family.
This house, which he buys for a very low
price...will be his ticket to financial recovery
and renewed family respect.
What happens between the young lady, Kathy, and
Behrani is a series of conflicts that seem
destined to evolve into tragedy.
The entire film is a series of emotionally and
physically intense scenes of conflict. They are
wrought with authentic emotion and revelation.
Jacob
Hall's Comment
n/a


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