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FRACTURE

"What Other Film Has a Fish and Baby Goose Mating?"
Directed by Gregory Hoblit - Written by Glenn Gers, Daniel Pyne
Starring Anthony Hopkins, Ryan Gosling, Rosamund Pike, Embeth Davitz
David Strathairn, Zoe Kazan, Billy Burke, Valerie Dillman
Distributed by New Line Cinema - 2007 - 113m - Rated PG13

TC Candler's Review

B-

 
The slick style and tone of "A Perfect Murder".
The ominous villain of "Silence of the Lambs".
The courtroom dynamic of "A Few Good Men".
The inaccurate legality of "Double Jeopardy".

A misleading trailer that promises steamy drama.
A film that puffs just enough smoke to obscure its flaws.

 
"Fracture" is an awkward film to rate.  It looks fantastic.  It is thoroughly entertaining.  It is tremendously well acted.  It maintains a high level of tension and suspense.  What's not to love?

Well, after the viewing, just a few moments of reasoned thought are required to tear down the walls of this entirely implausible film.  It is one of those movies that seems relatively logical while you are going through the motions, but that dissolves into smoke and mirrors upon further reflection.


Tony Hopkins Squeezes the Trigger.

Anthony Hopkins plays Ted, a plane crash investigator.  A typically unnecessary anecdote about eggshells explains why he is so good at spotting flaws in anything or anyone.  After having seen the film, this is apparently not even remotely true.

Ted shoots his wife (the tasty Embeth Davitz) because she is cheating on him with a homicide detective.  The crime scene of the attempted murder is all meticulously staged as he awaits the arrival of the police.


Ryan and Rosamund in a Flirt-off.

Ryan Baby-Goose plays Willy, a hotshot young attorney with a 97% conviction rate.  He is assigned to prosecuting Ted, who has been caught at the murder scene with a gun and has signed a confession.  It seems like another slam-dunk victory on his way to lawyerly success.

Rosamund Pike ("Die Another Day", "Pride & Prejudice", "The Libertine", "Doom", "Promised Land, "Devil You Know") plays the uncontrollably sexy Nikki, an even bigger hotshot attorney whose law-firm is about to hire Willy.  The two of them engage in an altogether PG romance.


Gosling and Hopkins play imaginary chess.

Inevitably, the case is not as easy as it seems on the surface.  The actual murder weapon is never found.  The confession is coerced by the man who is sleeping with the victim.  Ted defends himself in court like man who has thought of every tiny detail.

The film plays out smoothly, always keeping the viewer guessing -- never lingering long enough on one scene that we catch its flaws.  There are tons of red-herrings and misdirections as we try to get to the end before the director does.  It is a perfectly professional production.


Miranda Frost and James Bond???

Ironically, "Fracture" does not hold up well to close inspection.  Limits of coincidence, laws of physics, and the bending of legality to suit the plot are all stretched to the breaking point.

I cannot go into the details of the contrivances without giving away plot elements that are crucial to a virgin viewing experience -- However, it goes without saying that you will just have to turn off the logic-barometer in parts.

Hopkins is typically terrific as the cold-blooded killer with the mind of a genius.  His witty banter and confident winks are the work of a brilliant and assured actor.  He is always in control of the screen.

Rosamund Pike is a modern day screen goddess who can slink across the silver screen in the company of Grace Kelly and Kim Novak -- both Hitchcock Blondes (a role that Pike masterfully made her own in a West End production).  She crams a sharp turn into her limited screen-time here.  It is just a shame that the director/studio (whoever it may be) decided to cut most of the incredibly steamy scenes that were promised in the trailer.


Rosamund Pike... Will You Marry Me?

Ryan Baby-Goose (aka Gosling) is a fine actor.  I am not sure that he warrants the young Brando comparisons that have been ludicrously bandied about lately.  He has a frustrating habit of mumbling on screen... Like he is too lazy to actually move his lips.  He is an understated actor (a trait I usually respect and admire), but sometimes to the point of extremes.  He often comes across as trying too little.  Nevertheless, he is solid here, basically playing the wall to Anthony Hopkins' tennis racquet.

I could have used a little more Hopkins.
I could have used a little more Pike.
I could have used a little less Gosling.
I could have used a little less blabbing.
I could have used a little more action.
I could have used a little more steam.
I could have used a little less foreshadowing.
I could have used a little more logic.
I could have used a little less silly.


The mechanics of the "Fracture" plot laid bare.

 
© Written by TC Candler - Email Me!

How We Rated This Film

TC Candler -

B-
Richard Propes -    
Jacob Hall -    

Richard Propes' Comment

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Jacob Hall's Comment

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