| This movie is one
deleted scene away from greatness. Without giving anything away,
it must be said that if the film had ended twenty seconds earlier, it
would have earned an A grade from yours truly. As it stands, I
am very impressed by Alfonso Cuaron's "Children of Men". It is a
powerful and gritty futuristic vision that feels more real than any
other film of its kind. Most futuristic movies venture down two
paths... The over-glamorized mega-structure, flying-car,
incredible-gadget future... Or the post-apocalyptic, disease-ridden,
disaster-scene future. What "Children of Men" does so accurately
throughout the bulk of its running time is to show us a vision of 2029
that seems possible... tangible... recognizable... It never takes a
false step which may jolt us from the suspension of disbelief.
In this world, Theo (Clive Owen) putters around his existence,
regretting the divorce from his wife and the loss of the child they
had together. He has a relatively miserable and worthless life
in a world that seems equally insignificant. You see, due to
mass infertility, he lives in a world where the youngest person on
earth is 18 years old... and that person has just died.
London, England is virtually overcome with illegal refugees (foogees),
and has almost devolved into a militaristic state. The entire nation is
devastated to hear news of the death of Baby Diego, as he is known.
The mantle of youngest person on earth has now shifted, we hear, to a
young woman. This hopeless, senseless world is on the verge of
extinction in the next 50 years... creating a lawless and desperate
population.
One morning, Theo is mugged on the street, kidnapped, blindfolded
and taken to a hidden location. When his hood is removed, he
sees that his ex-wife Julian (Julianne Moore) is the culprit.
She is the head of a supposed-terrorist organisation and needs his
connections to provide transit papers for an illegal foogee.
Desperate for money and purpose, Theo is virtually compelled to get
involved.
The foogee is Kee, a young black woman with a shocking secret...
She is pregnant. I am not giving away anything that isn't
evident from the trailers. For various reasons, various people
want her to make it to a secret rendezvous with The Human Project, a
mysterious organization that is trying to save the future of the
world.
Events unfold in such a manner that Theo must eventually escort Kee
on a harrowing journey to the coastline of Great Britain, where she
will hopefully be welcomed by 'The Human Project' along with her, as
yet, unborn baby.
The film is shot in a visceral & bleak monochrome style. The
colors are as faded and washed out as the hopes of the characters.
There are times during this film when I literally felt as wet and
dirty and bedraggled as our leading man.
I was also blown away by the incredibly potent action sequences.
Every impact and shot fired felt real. I jumped out of my seat
on a number of occasions. I experienced nervous laughter at
times because the editing and sound and effects were so precise as to
unnerve me.
Clive Owen has a weight of emotion in his face... he occupies the
screen with a controlled power that doesn't allow the viewer to look
away. He is brilliant here. The equally magnificent
Julianne Moore has a smaller role in this film than the advertising
would have you believe. However, she is still able to create a
character that lingers in the mind after the credits.
Michael Caine is great at these supporting oddball characters.
Here, he plays a reclusive mentor of sorts. His scenes are
simply terrific. The one weak link here is the rather
emotionless Kee, played by Claire-Hope Ashitey. She failed to
evoke my emotions in the ways that would have made the film even
better.
I cannot detail the final act of the film. It wouldn't be
fair to viewers expecting a virgin experience. To be honest, I
think it is left somewhat open to interpretation. However, I was
very prepared for an even more vague and chilling ending. If the
credits had rolled just a few moments earlier, I would have been glued
to my chair, steeped in thought as the screen faded to black.
Instead, I got semi-closure... A mistake that just trips the film as
it crosses the finish line... A mistake that might negate a lot of
interpretations and discussions about the film's message and intent.
Still... "Children of Men" ranks as one of the most impactful films
of 2006. It is definitely deserving of your time. |