|
"Halle Berry Has
Really Gone Down
Hill..." |
 |
Directed by Pitof -
Written by Michael
Ferris, John Brancato
Starring Halle Berry,
Benjamin Bratt, Sharon
Stone
Distributed by Warner
Brothers - 2004 -
104mins - Rated PG13 |

|
Jacob Hall's Review
|
No Stars |
F |
|
I
walked into "Catwoman" not expecting a good
movie. The reviews had slaughtered it, showing
it to be a monstrosity of film. Let's just say
it lived down to my expectations.
I only wasted my time on this film because a
free ticket came with my "Batman the Animated
Series Volume 1" DVD. There's a two part episode
on that DVD that features the first appearance
of the Catwoman character. There, as well as in
the Batman comic, she was a anti-hero named
Selina Kyle, a highly skilled thief with an
attraction to her nemesis, Batman. Apparently,
the team of screenwriters behind the movie
decided that this wasn't very good, because they
have re-named her Patience Phillips, taken away
Batman and Gotham City, and given her a costume
that is nothing like anything she has ever worn
before. Catwoman was always sensual, even though
her body was always completely clothed. She was
embodied perfectly by Michelle Pfeifer in
"Batman Returns." In "Catwoman," she is played
by Halle Berry in one of the most embarrassing
performances of all time. If you want to see
Catwoman as she should be, rent the animated
series of "Batman Returns." Avoid this piece of
trash at all costs.
I don't even know where to begin. I guess I'll
start with the acting. Ms. Berry: Say bye to the
Oscar and hello Razzie award! not since John
Travolta in "Battlefield Earth" have I seen such
an overacted and terribly mis-cast role.
Travolta was so bad he was funny. Here, Berry is
so bad it's sad. I think that Benjamin Bratt as
her cop love interest if even worse. He never
changes his emotion and just stares ahead and
mutters his lines. Worst Actor Razzie, coming
up. For the worst Supporting Actress, I haven't
decided who deserves it more: Sharon Stone as
the villain, or Frances Conroy as a creepy cat
lady who knows about the powers of cats.
Yeeeeeah.
The story is pitifully written. Every line is a
cliche', and every character an embarrassment.
"Comic relief" is supplied by Halle's friends at
work: a woman who may very well be the most
irritating character in cinematic history and a
walking Gay stereotype. I felt embarrassed for
any Gays just by watching this character. The
film has no flowing storyline; it just meanders
from place to place. This is also the fault of
the director, but more on that @#$% later. The
story takes some of the most ludicrous twists I
have ever seen. The cosmetics company Halle
works for is making a skin cream that will
reverse aging, but as we learn in a terribly
written scene, it is addictive, causes
headaches, and if you quit using it, your face
rots off (strangely, Halle's annoying friend
falls ill from it and stop using it, but her
face never rots off and the film ends with her
happy and in love). Halle overhears this and is
killed in a ludicrous manner, and floats into
the ocean. She washes up on a convenient little
concrete island on the middle of the ocean, and
a bunch of cats surround her. One of the cats is
one she met earlier. Strangely, while the cat
was real before, here, for no apparent reason,
it is computer generated, and twice the size it
was earlier. For a reason never disclosed, the
cat gives Halle a little kiss and turns her into
Catwoman, a superhuman with the power of a cat.
This bothers me for two reasons: 1. Catwoman
never had cat powers, she is just supposed to be
highly trained. 2. She starts acting like a cat,
sniffing catnip, devouring tuna, and hissing at
dogs. One must wonder if she uses a litterbox.
This is scary because it is the equivalent of
Peter Parker webbing up his hot dog and sucking
it dry and having a penis sprout from his hand.
It's just stupid and creepy. Along with gaining
the speed and senses of a cat, Halle also
mysteriously learns Kung-fu and how to hotwire a
car and motorcycle. She also gains a penchant
for S&M clothing (as I said above, the total
opposite of what Catwoman should wear). She then
goes out for revenge against her murderers, and
the film concludes with a fight with Stone, who
has been using the deadly creme for so long, her
skin has turned as hard as marble and can't feel
pain. And yes, she too, knows kung-fu. What is
never explained is how, if her face is as hard
as marble, she can do things like talk and make
expressions. There must be at least 20 major
plot holes, and they aren't minor, they are
NOTICEABLE. This is a horrible script.
Even worse than the script, is the director. A
Frenchman named Pitof, who was a visual effects
guy on several French films and before that, a
porn director. In terms of bad directing, he
makes Michael By look like Kubrick. He is one of
the many modern directors afflicted with Michael
Bay Syndrome. Pitof's shots never seem to last
for more than seconds, the editing is fast and
choppy, and the camera is always at such odd
angles that you can't tell what's going on and
it cuts to other things in the middle of scenes
that have no relevance to what is going on.
Pitof is also to blame for the costume. Any
heterosexual male should find at least some mild
enjoyment in seeing Halle Berry run around in
skimpy leather, but the costume is so bad that
she becomes immediately unnattractive. Her
costume looks like a modified Mickey Mouse Hat,
and her pants look like she sat on a blender. He
has no sense of pacing and there are many, many
inconsistencies. Like characters wearing the
same clothes two days in a row. Or how in a
scene where a ferris wheel starts collapsing and
it's Catwoman to the rescue, the extras just
stand and watch as the ride is about to fall on
them. But what makes Pitof's directing truly
stand out, what makes it truly horrendous, is
his use of CGI. EVERY SINGLE SCENE BEGINS WITH A
CGI OPENING. I kid you not, every scene. It
usually ends with one too. The shot is usually a
fast zoom through the city, and CGI from 1991
looks better. Random things are made CGI for no
apparent reason. Halle's cat friend is randomly
CGI. In on scene he's a real cat, and in the
next he's CGI and twice as big. When Pfiefer
played the character, she learned how to use a
whip, Catwoman's trademark weapon. Pitof and
Berry take the easy way out: the whip is
CGI...and it looks it. For the action scenes,
Pitof rips off "Daredevil" (of all the movies to
rip off), with a poorly computer generated
Catwoman leaping from building to building.
Simple stunts, like a punch, a kick, or a small
jump, are computer generated when a stuntperson
could have sufficed. This film cost $100
million, but looks like it cost $2. Catwoman
seems to be more CGI than real. There is a CGI
shot of Catwoman WALKING. WALKING! And it's so
incredibly obvious. Pitof: worst director of all
time.
Overall, what truly damns Catwoman, is Catwoman
herself. She is unlikable, boring, and simply
stupid. I could never relate or cheer her on.
In an age of superhero adventures like
"Spider-Man 2" and fantasy experiences like "The
Lord of the Rings," it is an insult to see such
a movie. This is one of the worst movies ever
made.
© Written by
Jacob Hall
|
How We Rated This Film
|
TC Candler -
|
No Stars |
F |
| Richard Propes
- |
No Stars |
F |
|
Jacob Hall
- |
No Stars |
F |
|
TC Candler's Comment
Woof.
Richard
Propes' Comment
Cringe.
A painful cringe.
Finally, a film has come along that makes "Gigli"
look like a work of art.
I'd seen the reviews...I'd heard the laughs and
the criticism and the "worst of the year"
talk...but, I actually expected this film to
appeal to me on a certain level. I thought it
would make me laugh enough to move it higher up
on the scale.
It took five minutes for me to be irritated...I
was irritated by the camera that constantly
moved, almost bouncing with characters as they
walked down the street. I was irritated by the
score that didn't fit the action or the mood or
the pacing...I was irritated by the production
design with off-balance colors, cheesy special
effects and a simply Godawful Catwoman. I was
irritated with Halle Berry, Benjamin Bratt and
especially Sharon Stone.
I wanted to stop watching, but I knew I had to
review this film...I just had to write my
feelings, my thoughts and my ideas. I had to see
if it would improve...offer anything resembling
a light anywhere in the film. It never did.


|