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"Where's That Leo?" |
"Who's Your Daddy?" |
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Directed by Steven
Spielberg - Written by
Jeff Nathanson
Starring Leonardo
DiCaprio, Christopher
Walken, Amy Adams, Tom
Hanks
Distributed by
DreamWorks - 2002 - 141m - Rated
PG13 |

Clocking
in at a breezy and effortless 2 hours and 20
minutes, this true story of the most successful
con-man and forgery artist of all time is some
of the most fun you'll have at the movies all
year.
You can feel a Spielberg film. You just know one
when you see one. Only a handful of select
directors have had such a recognizable cinematic
signature... Kubrick, Hitchcock, Truffaut among
others. If I hadn't known that he was at the
helm as I sat down in my theatre chair, I would
have easily guessed it was him within a few
short scenes. He is a master craftsman here,
imbuing the film with vivid color and tremendous
energy. The story is a true one, so there wasn't
too much he could tinker with there. Spielberg's
job here was to entertain us with an already
fascinating story and I cannot think of a better
cinematic entertainer than he.
Di Caprio is funny and charming as Frank
Abagnale Jr., the young man who impersonated
pilots and doctors and lawyers in the late half
of the 1960's, all the while cashing in excess
of $4 million in fraudulent checks. He is
doggedly pursued by FBI agent Hanratty, played
supremely well by Tom Hanks, who follows him all
over the world tracking down his most recent
caper. Hanks does a great job in role that many
others would have turned into a cardboard cut
out. He makes Hanratty a human being and fills
him with quirky traits and a sympathetic soul.
At the end of the film we are simultaneously
rooting for Abagnale to escape and also for him
to be caught.
One of the best things I can say about any film
is that it flew by. 'Catch Me if You Can' is
executed at lightening speed and left me wanting
for more as the closing credits rolled.
There are so very many 90 minute films each year
that seem 89 minutes too long... However, it was
a joy to watch this film and I am sure it will
hold up upon repeat viewings. It's rare that a
film can make you laugh and cheer and cry and
jump and tense up and smile every step of the
way... this movie ALWAYS has something going on.
Christopher Walken has a great role as Frank's
father. He deserves some Oscar consideration for
this performance. He also delivers one of the
year's funniest lines as he tells his son a joke
early in the film. His bizarre speech and quirky
personality are well suited for this part. There
is simply no one like Walken... there never has
been and there never will be.
This is one of the best films of 2002, and
easily one of the most fun.
©
Written by TC Candler
Richard
Propes' Comment
I have to
admit it. I've been a bit Leo'd out. I avoided
seeing this film, and actually dreaded it. When
I finally forced myself to view it, I was
pleasantly surprised. Hanks, too, continues to
amaze with his ability to take his unique
physical characteristics and still manage to
blend into any character he assumes. Virtually
everyone here's at the top of their game, and
Spielberg is well in control of his
Spielbergisms. While I can't quite put this in
the "A" range, it's a film I will undoubtedly
visit again.
Jacob
Hall's Comment
"Catch Me If You Can" is the true story of Frank
Abagnale Jr., a young man who pretended to be a
doctor, lawyer, and airline pilot. His cons
netted him north of a million dollars, and put
him on the FBI's wanted list.
Leonardo DiCaprio plays Frank and does so very
well. It's here that he escapes his corny acting
in "Titanic" (an otherwise excellent movie).
It's not a brilliant role, and I know he will do
better in the future, but it more than gets the
job done. Tom Hanks is the agent chasing him.
Hanks is good here, but he never steals the
show. He seems to realize that this is
DiCaprio's film, not his. Christopher Walken got
an Oscar nod for playing Frank's father. As with
every Walken role, it's brilliant, but
definitely not the best supporting role of the
year.
Director Steven Spielberg keeps the film moving
at a breakneck pace for the first 2/3 of the
film, but somehow manages to blow it in the lat
third, where the film slows to a snail's pace
and takes on an entirely different form than the
rest of the film.
When all is said and done, though, it's a funny
and interesting film that shows that crime does
pay, but it's the taxes that come with it
that'll kill you.


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