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CAST AWAY

"Twelve Coconuts Have Landed on My Head!"
Directed by Robert Zemeckis - Written by William Broyles, Jr.
Starring Tom Hanks, Helen Hunt, Wilson
Distributed by 20th Century Fox/DreamWorks - 2000 - 143m - Rated PG13

TC Candler's Review

A

Time Passes...

Chuck Nolan (Hanks) is a relentlessly determined FedEx employee who travels the globe fixing problems and racing the clock. He, like his business, lives and dies by time. The love of his life is Kelly Frears (Hunt) who tolerates his hectic schedule but obviously feels lonely when he's gone. One Christmas night, during a big family dinner, Chuck's beeper pulls him away from the table and he is told he has to fly to Malaysia. After a sad Airport goodbye to his girl, and a promise to be back for New Years Eve, Chuck boards the flight that will change his life forever.

Somewhere over the Pacific the FedEx plane loses radio contact during a violent storm. From inside the plane we see the problems escalate and soon a crash landing is imminent. I will leave most of the details to your future movie watching experience... but, as I am sure you know, Chuck is washed ashore on a tiny deserted Island in the south Pacific. What we get then is a glimpse into the life of a solitary man, without time, without conversation, without comfort, and without much hope.

This is a film about time. It is about how time changes us, our priorities, our goals, and our perspectives. Tom Hanks is the key to the film, occupying nearly half of the film by himself with no one to talk to. His transformation from the driven executive, full of life and vigor, to the gaunt shell of a man who does what he needs to do to survive is a staggering one. The film was shot in two halves, a year apart, as Hanks lost a ton of weight, and grew his hair and beard. The physical transformation is as startling and the psychological one.

The scenes on the island are a great contrast from the scenes in the setup. The islands shots are calm and quiet, only the sounds of the ocean and the occasional mysterious noise from the tress can be heard. The matter-of-fact way Zemeckis has shot the middle third of the film works well. We see the simple difficulties of surviving without tools, fire, fresh water, and light. The way Chuck uses the washed ashore material to his advantage are ingenious and, in a strange way, very funny. You would think that ice skates would be useless, or for that matter video cassettes... think again.

A flash forward of four years takes us to the persevering Chuck who has mastered island life and...

***SPOILER ALERT***

...we see his eyes light up as an escape from the island seems possible. The way in which the escape is handled is wonderful. Chuck and his pretend friend, Wilson the Volleyball, journey back on to the high seas in one last attempt to live. Some of the most beautiful and breathtaking scenes occur as Chuck and Wilson brave the tides and weather in search of freedom.

***END of SPOILER***

The resolution is hard to explain without giving everything away. But I will say this, it is handled with care. We don't get a fake sappy ending which would probably have pleased more viewers. We are instead treated to a strong and unrelenting vision of how time changes everything. The film teaches us that all we can do is breath and get up every morning. Time has its own plan and we have to live by its harsh reality sometimes. Chuck is reintroduced into a world he doesn't know anymore, and HE has to adjust... the world won't adjust for him. Nothing is quite as he dreamt it would be and that is a refreshing ending to a story that could have had a routine and predictable one.

The soundtrack is not very moving for an epic of this nature. For most of the island scenes, there is no music at all, a very conscious decision by the filmmakers. What little there is sounds flat. In fact the same piece of music is looped over and over and quite frankly it loses the effect.

I could have used more island material. The film is already two and a half hours long, but it could have used thirty minutes more to highlight the hardships during Chuck's ordeal.

A few scenes at the end, between Hanks and Hunt, were forced and unnatural and could have been trimmed in favor of more island time. Although Hanks' performance is Oscar worthy, Hunt is a little dull in a role I've seen her do in other films.

To say this film is very good is an understatement, but to say it is masterpiece is going too far. It has all the strengths of a great motion picture and will certainly make my top ten list for the 2000 year.

© Written by TC Candler

How We Rated This Film

TC Candler -

A
Richard Propes - A
Jacob Hall - A-

Richard Propes' Comment

This is not my favorite Tom Hanks film to watch...in fact, there were moments when I saw "tom hanks" instead of his character. Still, I thought this was a bold movie to make for him. I love Helen Hunt, but I didn't care for her performance in this one.

Jacob Hall's Comment

The unstoppable team of Robert Zemeckis and Tom Hanks strike again and hit a home run.

Hanks delivers yet another incredible performance as a Fed-Ex executive who works more than he spends time with his wife (Helen Hunt). While on a plane, a storm strikes, and he is the only survivor of the plane crash. He spends the next four years stranded on a deserted island with only a volley ball for a friend and only his instinct to keep him alive.

Very powerful and very moving. I could not help shed a tear more than once during the movie. Hanks gives one of his best performances and perfectly conveys the loneliness and heartbreak that his character is going through.

I wish that Zemeckis would direct more films. That would make sure that everyone experiences a truly great filmgoing experience more often.


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