| Zwick is a director
that knows this territory well. He has made many quality films
in and around epic conflicts and wars. "The Last Samurai" was
a premium example of his filmmaking skill. Both that film and
this one have some astonishing battle sequences and sweeping
storylines. However, despite only one ("Samurai") having room
for a romantic sub-plot, Zwick makes the mistake of squeezing a
forced romance into his latest effort. There are quite a few cogs
to this complex wheel. DiCaprio plays Archer, a conniving
diamond smuggler in South Africa who will seemingly stop at nothing
to secure a rumored 100ct diamond found, and hidden, by a native
slave worker.
That man is Solomon Vandy (Hounsou). He has been forcibly
removed from his family and sent to do slave labor in the diamond
industry. One day, while working in the river, he stumbles
across a massive uncut stone. He does not hand it in to his
bosses.
Maddy Bowen (Connelly) is a reporter. She is tired of
writing fluff pieces about individual tragedies. She feels
compelled to go after the cause of the problem in Africa... the
diamond merchants who secretively use slave labor and support mass
murder by the purchase of these "conflict diamonds". She needs
a BIG story -- and she finds one in Danny Archer.
The three of them use one another to achieve their goals.
Archer uses Solomon to get the diamond. Solomon uses Maddy to
find his family. Maddy uses Archer to get her story.
It is a terrific set up and the first half of the film is simply
brilliant.
Unfortunately, the film seems to get a little lost after the
pieces are placed on the board. The film stumbles around,
occasionally delivering something worthwhile, but eventually heads
toward a stalemate.
Don't get this critic wrong -- "Blood Diamond" is a quality film
that deserves to be seen. I loved the performances.
DiCaprio would probably get an Oscar nod for this film were it not
for the fact that he will get one for "The Departed" instead.
He really has had a magnificent year. Djimon Hounsou is
tremendously powerful here as a desperate father who will do
anything to get his son back. And Connelly is the emotional
anchor this film needs. She is a feminine respite to all the
bloodshed and anger. She gives the film its heart.
I just wish that they could have forgone the ever-so-staged
romance in the film between Archer and Maddy. It is utterly
unnecessary to the success of the screenplay. After all, this
is not a film about individuals as much as it is about a tragedy, a
war, a corrupt trade, and an abused continent. It feels
unnatural to have Maddy and Archer making eyes at one another --
having one of those late night confessional talks for expositional
sympathy. It just doesn't fit well.
Nevertheless, this is an exciting movie, full of energy and
important things to say. It drags just a little in the middle
third of the running time, but picks up for a rousing, if somewhat
clichéd, conclusion. "Blood Diamond" is a very good effort
that will appeal to those who appreciated 2005's "The Constant
Gardener". |