Sometimes a movie comes along
that is so bad in so many ways, that you are so
absorbed by how horrendous it is until the
credits roll and you realize that you are lying
in a puddle of your own vomit...
Okay, perhaps
that is an exaggeration (PERHAPS), but it was
pretty close to that after watching the bloated
action/"comedy" "Bad Boys II." Never have I seen
a film so in love with itself; a film that
almost seems convinced that it will make money
just by having it's heroes swagger across the
screen in a sort of "badass" way and then dive
in slow-motion wielding dual pistols and firing
ammo amounts that John Woo would have found
excessive. This is a film package wrapped for
the hyperactive, sexually starved male teenager
who thinks that simplistic, meaningless violence
and language are the coolest things to hit the
earth since porno and hot pockets. "Bad Boys II"
is violent for the sake of being violent, not to
make a point. It uses excessive language not to
drive a point home or create an atmosphere (see
"Pulp Fiction" for that done well), but because
it's apparently COOL to curse. "Bad Boys II" is
a film devoid of moral, but doesn't offer
anything else in it's place. It's a hyped,
expensive piece of trash that achieves
popularity by latching onto the already twisted
psyche of youth. This is a sick film.
I did see the first "Bad Boys," and I can't
recall too much. Will Smith and Martin Laurence
fought a bunch of guys, some cars blew up, and
the day was won. It was a completely forgettable
and simplistic action film. Several years later,
Smith's career went off on a huge rise, and
Laurence went into a slump. Then the ultimate
hack team got together again: producer Jerry
Bruckheimer and director Michael Bay. Bay had
one good film on his resume: the average "The
Rock," which was obviously a fluke. Bruckheimer
was about to make the one good film of his
career: "Pirates of the Caribbean," which only
worked because of Johnny Depp and Gore Verbinski.
These little box office drawing hacks decided
that a sequel to "Bad Boys" would be a good idea
if given a $130 million budget and a huge
advertising campaign. What about the "R" rating?
Well, "The Matrix" proves that "R" movies are IN
again! So these two little hacks got the cast
back again: Will Smith, a fine actor when given
the chance was fresh off his excellent
performance in "Ali." Laurence was in desperate
need of the work, because, let's face it: he's
not funny and no one sees his movies. They even
coaxed the usually reliable Joe Pantoliano back
into the role of the police chief (Well, he was
just recovering from a failed TV show...). Then
a team that, rumor has it, was a dozen people,
crapped on a piece of paper and called it a
script (although only two people are credited
with the monstrosity).
Going over the plot of the movie in detail would
be a waste of time, so here's the basics. The
"Bad Boys" try to bust drug dealers. They meet
resistance. A lot of things blow up. The end.
Throughout the film, we are treated to Bay's
usual cinematography, which consists of moving
the camera around really fast and try to look
cool. We also get his usual editing; his editing
motivation? "Let's pretend, this is a music
video!" Yeah. Right. Bay also packs on the
squibs. Every gunshot squirts blood over the
camera or on a wall. Okay, lots of movies do
this, but not as often or as boring as this. You
want tastelessness though? Okay. Our "heroes"
are chasing a funeral van, when the back falls
open and dead bodies roll out. The bodies are
then run over, and we get to see heads and limbs
roll off. Is there a point to this? Does Bay get
a sick pleasure out of seeing dead bodies ripped
apart? He must, because a little later, our
heroes sneak into a mortuary, looking for drugs
hidden in corpses, and then engage in a little
fun with body parts. If you are making a small,
cult film, sure, by all means have a character
rip a body open, take out organs and toss them
over his shoulder onto the floor. Seriously,
though, when I go to see an action film, I want
to have some fun, not see corpses dismembered
for any particular reason. When the film forces
us to try to swallow it's tastelessness, it's
even worse. Early on, our heroes fight the Klu
Klux Klan when they try to make a drug purchase.
Why are the KKK buying ecstasy? Why do they
light a burning cross during a drug deal?
Because it's an easy excuse for our black heroes
to gun them all down. Not that this film is
defending blacks, it doesn't seem that way. They
are presented either as foul-mouthed cops,
stupid gangsters, or dreadlocked Jamaican drug
dealers. Naturally, it seems every villain in
the film is a racist. The main villain (who's
just a bad actor doing a bad "Scarface"
impression) is Hispanic, but he seems racist
too. This is a cheap trick to get us to hate the
villains. Strangely, though, I found myself
equally hating the heroes. As they drive around
and shoot things, they seem to put more innocent
people in danger and destroy more property than
the villains do. During an over hyped car chase
(which pales to "The Matrix Reloaded" and the
best car chase film ever, "Ronin"), so many cars
are destroyed and blown up, one can only attempt
to guess the civilian casualties. This is never
brought up, but in the next scene, we are
informed that "no cops died" (although I find
this highly unlikely because, during the chase,
a patrol car blew up, burst into flames, and
almost appeared to melt). The heroes even
destroy a small shanty town at the end of the
movie during another chase. Why should we
forgive them for making a bunch of people
homeless? Because one character makes a quick,
almost inaudible remark that "drugs are made in
this town." Oh gee, thanks, I feel a lot better.
Also note the simply horrible scene where
Laurence and Smith try to intimidate Laurence's
daughter's date by acting like gangsters,
cursing, asking him if he's gay, and slapping
the "N" word on him. It's just am awful, unfunny
scene that tries too hard to be funny. There are
some moments in "Bad Boys II" that are almost
funny, but they go on for so long that the weak
joke breaks.
The action fails to deliver, the humor is not
amusing, and the actors aren't that exciting.
Did I mention it's boring, too? Oh yes, when the
movie's not stupid, it's boring, complete with
ridiculous subplot and a pitiful attempt to
humanize the villain (a brief segment involving
a Russian mobster and his attempted revenge has
no place in the film and just seems to be there
to have a body nearly split in half by bullets).
I seriously hope that Smith sticks to decent
roles, because I really do like him. I hope
Laurence keeps making bad movies so I won't have
to see more of him. But most of all, I hope that
Bay and Bruckheimer return to Hell and leave us
alone. As filmgoers we deserve better.
As HUMANS, we deserve better.
©
Written by Jacob Hall
|
How We Rated This Film
|
TC Candler -
|
No Stars |
F |
| Richard Propes
- |
  |
D+ |
|
Jacob Hall
- |
No Stars |
F |
|
TC Candler's Comment
'Bad
Boys II' is yet another unnecessary sequel to an
original that doesn't merit one. Clichéd plot
lines and clichéd characters litter this film
that is laden with slow motion action sequences
that aren't based in any sense of reality, thus
making them laughable and unexciting. This is an
awful production!!!
Richard
Propes' Comment
"Bad Boys
II" was worse than expected. "Bad Boys II" is
filled with "pretty" violence...violence that is
wrapped around humor and entertainment. Quite
honestly, moments of this I can tolerate. In
this film, it is the dominating factor.
In the
midst of all this violence and destruction,
Smith manages to be nominated for an NAACP
"Image Award." Having gone to a Black college, I
can't help but question a community's self-image
when the most powerful African-American
organization in the country chooses to recognize
an actor's performance in a film such as this
with an "Image Award." It is sad, pathetic and
grossly inappropriate. In fact, it's even
worse...this film itself was nominated for the
same "Image Award" for Best Picture.
Barring a few decent action sequences and
supporting performances, I would choose to fail
this film. However, on a very very very base
level it worked in providing "action." For that,
I will stick it comfortable in the "D" range and
state very clearly that I do not recommend it.