LINKS

 
 
 

 

 

EBERT vs. SCHMO

"Which One Are You... Ebert or Schmo?"
(Left) Courtesy of Roger Ebert - (Right) Courtesy of Schmo

A TC Candler Column

 

January 20th, 2006

 
In the left-hand column, you will see the things that make you a literate, adventurous and informed filmgoer.  In the right-hand column, you will see the things that make you a total "schmo"... an average Joe who can't tell the difference between Fellini and Falafel.  Offended "schmos" may direct all complaints and aspersions of pretentiousness to my email address below.  These are solely my opinions and are not necessarily reflective of my fellow critics on this site.
 
You are an Ebert if... You are a Schmo if...
A big part of your life is devoted to film -- watching, discussing, exploring, experimenting, learning. A two-hour segment of your Friday nights are spent at the local cineplex for the latest prequel.
You recognize the names of Isabelle Huppert, Catherine Deneuve, Daniel Auteuil, Michelangelo Antonioni, Yasujiro Ozu & Ingmar Bergman. You see those names on the left and immediately think something negative about subtitles and/or foreigners in general.  You prefer good old American action stars.
You know the way to the local art-house theatre without having to check Google maps. You know where all the AMC's are, but you hate having to walk all the way to screen number 17.
You can enjoy some movies as entertainment and films as art. You enjoy being entertained but think that art is too stuffy and deep.
You hate "Armageddon". You thought "Armageddon" rocked.
You adore "Schindler's List" and wish that more people would try making black & white films. You thought "Schindler's List" was depressing and didn't like that Spielberg shot it in black & white.
You enjoy reading quality film reviews regardless of whether you agree with the rating. You only like critics who agree with you and has at least one "Star Wars" movie in their top 10.
You've seen over 300 films that were made prior to 1980. You've seen under 2000 movies and you are over 30 years old.
You champion letterboxing and hate pan & scan with a passion. You don't know what letterboxing is and hate movies with black lines.
You've seen all three of Kieslowski's "Trois couleurs" and think that it is a great trilogy. You've seen most of the Police Academy films and thought that a few of them were quite good.
You think American nudity standards are an embarrassing  joke when you consider how much violence we tolerate in movies. You don't like it when your kids see boobies, but have no problem whatsoever with them going to the opening night of "Saw".
You love great Italian films. You can't name 10 Italian films.
You are adept at and love finding subtle references and homages to older films in a new director's work. You didn't realize that references and homages were very common occurrences... and you don't care.
You avoid Blockbuster Video. You only go to Blockbuster Video.
You appreciate all the talent from down under - Nicole Kidman, Naomi Watts, Russell Crowe, Toni Collette, Rose Byrne & Eric Bana You didn't know that Nicole Kidman, Naomi Watts, Russell Crowe, Toni Collette, Rose Byrne & Eric Bana weren't American.
You can't wait for the next film from Lars von Trier or Lucas Moodysson You are most looking forward to Superman Returns or X3.
You know what bulb-strength is. You know what popcorn butter is.
You appreciate "Titanic" as a great film and an incredible cinematic accomplishment. You hate that it was so popular and think that one of the "LOTR" or Star Wars films should've made more.
You use an extensive vocabulary to describe all sorts of filmgoing experiences. You describe every film you've ever seen by using one of two terms, "Kicks Ass!" or "Sucks!"
You hate ads before movies, but don't mind a preview or two. You don't care either way because you are rarely on time anyway.
You stay during the credits. You leave when it fades to black.
You have at least 10 foreign language films in your Top 100. You've seen about 10 foreign language films and a few were ok.
You have at least 1 silent film in your Top 100. You get really bored with silent films because of the silence.
You have at least 10 black and white films in your Top 100. You think colorization is a pretty good idea.
You think that people who disliked "Lost in Translation" are lacking in some regard when it comes to recognizing subtlety and depth. You think that people who liked "Lost in Translation" are stuck-up posers who only like it because it is critically acclaimed.
You think the term "critically acclaimed" is more meaningful than "popular". You think the term "critically acclaimed" is the sign of a boring movie to come.
You think the IMDb ratings are a joke and that their Top 250 poll is worthless because it is more representative of the least hated and least controversial films. You base a lot of your rentals by what the IMDb ratings and reviews and polls say because if that many people like a film, how can it possibly be bad? 
You read and respect Roger Ebert's witty reviews.. You think Roger Ebert needs to learn something about film.
You've seen an Iranian film. You don't believe Iran makes films.
You think red digital read-outs are funny and ultimately ridiculous. You think red digital read-outs add tension to a scene.
You think that this column is insightful and witty, justly making fun of the many mindless sheep who only flock to see the most publicized films of the year. You think that this column is pretentious and that I shouldn't make fun of people who see movies purely a means of entertainment rather than as an artistic medium.
You hate Michael Medved because he is an utter tool. You think Michael Medved's bushy mustache is cute.
You miss Gene Siskel. You didn't know he was gone.
You think critics serve a purpose. You think critics are worthless.
You like this website You hate this website.
You have written about film. You don't like writing.
You care about film. You don't really care that much.

Most people probably fall in between, either on both sides of those fences or on neither side.  Which one are you?  Which one are you becoming?

Roger Ebert once wrote, "To limit ourselves to the familiar is a crime against our minds."
 

Email Me with Your Complaints
© Written by TC Candler


TRJ Enterprises © 2005
Privacy Policy - Terms of Use - Contact Us - Legalities


 


ADVERTISING