|
But that is only until May 31st,
when I pack up belongings and head west, back to my (nearly) native land
of Texas, where I shall recuperate over the summer before trekking back
to Georgia to continue the expensive, stressful and wonderful experience
that is college.
Back in Texas, you see, the mail
is fast and I can send out my Netflix and receive new movies in a few
days. This is convenient because: A. It’s movies in the MAIL, man! and
B. It helps me get by ever since I began my Blockbuster boycott three
years ago.
Back in Texas, there is an 18
screen multiplex ten minutes from home that gets not only the
blockbusters, but also a lot of smaller movies (one of the 800 “Hot
Fuzz” screens was there). If that won’t do, then I drive the extra
twenty minutes to the art house theatre, where I can watch “A Scanner
Darkly” and order food via waiter from the theatre. If that won’t do, I
could always drive the 70 miles to Austin, where I can visit the Alamo
Drafthouse, often considered the best movie theatre in the world.
Yeah, the Texas movie scene is
absolutely kicking. Once you take New York, Los Angeles and Chicago out
of the picture, it’s one of the best places to see movies. Ten years of
living in Texas pampered me, made me fat on the teat of cinema and other
pretentious metaphors and so forth.
Savannah is home to fascinating
history, beautiful parks, lovely buildings, mild weather and a lot of
great things to see and do. It is home to one of the best (and most
underlooked) film schools in the nation.
Savannah, though, is lacking in
cinema.
When I wanted to review a movie
in Texas, I would hop in my car, drive for a few minutes and arrive
whenever I wanted to.
In Georgia, I have to wait on
the number 14 bus, get on the number 14 bus, hope that the driver isn’t
slow, pray that not too many old women and children get on (they take
forever to get on and off), endure the 45 at best, 90 minute at absolute
worst bus drive and arrive with enough time to get a decent seat.
If I’m lucky, a friend with a
car will want to see the movie, too, but even then, it’s a 20 minute (on
a good day) drive and considering how many movies I see, I usually don’t
have a ride.
I’m not complaining, no. I’ve
come to enjoy the bus in some sort of masochistic way (I read a lot of
books), but it does make me appreciate the convenience of having a
neighboring movie theatre. My roommate, born and raised in Long Island,
tells me that there are five cinemas within walking distance of his
house.
Ah, those of us outside of New
York can dream, can’t we?
Last week, “Hot Fuzz” wasn’t
showing in my usually Savannah theatre. It was playing at another, down
a road I never travel down in an area of the city I’m unfamiliar with.
After checking the bus schedules, I find right bus and watch as we leave
the streets I know and venture into what can only be described as the
“rough” side of town. Let’s just say that this suburban white boy had
himself a rather terrifying adventure that afternoon.
And Netflix? This is college.
Those who are paid to give you your mail really don’t care when or if
you get it. Netflix is not the almost instant process I took for granted
before.
Now, I know I’m making this city
out to be some sort of culture-free hellhole, but that’s not the case at
all. I love this city. It’s just that part of the charm it exudes is
that it feels like a small town stretched into a city and since when do
small towns have multiplexes?
There is something altogether
different about the movie experience here and I feel like I only
recently discovered it.
A few weeks ago, my homework was
finished, my Netflix was resting in a mail pile somewhere, my roommate
was out and nothing was on TV (God forbid that I should go out and play
sports or something, huh?) so I went for a walk through the city, trying
to find something, anything, to do.
At the intersection of Bull
Street and Liberty Street, I came across a small storefront shop with a
blue sign hanging over it, the name “Home Run Video” blasted across it.
A video store? 15 minutes from the dorm? And I thought the closest store
was the Blockbuster (boycotted, of course, not to mention, a twenty
minute drive away).
So I stepped into the store.
It was one large room. Rows of
shelves were everywhere, often placed oddly, often slightly blocking
each other. The movies on the shelves were often placed randomly and the
sheer number of movies dwarfed the shelf space, so everything seemed to
be lying on top of everything else. Lying on a table were several large
binders filled with even more movies, ones that couldn’t fit on the
shelves. The space was cramped and a little sleazy. A door in the back
was cracked ajar, bearing a sign that informed that reader that you had
to be 18 or older to enter the “back room.” My initial reaction was to
act a little disgusted.
“Blockbuster isn’t like this.
Blockbuster is clean and organized and shiny and-“
Then my face broke out into a
huge grin.
Exactly. This place isn’t
Blockbuster. This is the antithesis of Blockbuster, the type of place
that the big ‘ol blue and yellow have been trying to stomp out for
years. This place was independent. It was the opposite of corporate. It
was not a machine. It felt like a living, breathing thing.
One look at the shelves told me
that I would be renting movies here quite often. An entire wall
dedicated to the Criterion collection. Several walls dedicated to
foreign films. A Sci-Fi/horror section that actually included “Cannibal
Holocaust” (not that I have any desire to see it, but the fact that they
stock it tells you something about their selection).
I would never expect a one room
(two room if you include the porn) video rental store to house so much,
well, magic. They did not clear out the classics to make room for new
releases; they just stacked everything on top of everything else until
the shelves nearly burst.
This was a place where I was
able to rent “Ikiru” and hear the clerk exclaim “Fantastic movie, great
choice.”
So the rest of America can stick
with their slick, clean Blockbusters. I’ll stay with Home Run Video
(“Home of the Hard Hits!”) and give them the money they deserve. In a
city where movies seem so far away, it’s amazing to find that true
cinema is closer than I thought.
Additional Thought: Home Run
Video is right next door to an independent book store called “The Book
Lady.” I have yet to go in there, but last time I passed, I saw a
wonderful sign on the door. The gist of it was “We here at The Book Lady
respect your civil rights, so although the Patriot Act says that we
should be forced to give the government a list of everything you buy, we
won’t. We tend to lose all of our records anyway. This courtesy will not
be extended to Georgia congressman [a name I don’t recall], who recently
voted to further this clause.”
Try to find that on a Barnes and
Noble. |